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In the UK, Sherry Fang, a 26-year-old British Chinese student, tells me she's had strangers say to her “you look just like his ex, she was also Chinese”, and argues it would be wholly inappropriate if she were black or Indian.
In Britain, while significant rates of intermarriage between the Chinese and white Caucasian population have demonstrated social integration, the trend is nevertheless heavily skewed towards Chinese women and white men, rather than the other way around.
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Take the 25th anniversary revival of Miss Saigon in the West End.
Part of the bias is down to aesthetics, it would appear, as a study by Cardiff University in 2012 on facial attractiveness showed that East Asian women scored highest, while East Asian men came bottom of the pile (interestingly, results for black and white individuals did not show discernible differences based on gender).
But while some gendered biases exist in all interracial dating, few have gained as much notoriety as so-called yellow fever.
Certainly, the idea of the “passive” Chinese is a well-known, but an increasingly misguided view – particularly given the meteoric rise of China and its achievements in women’s education.
Aowen Jin, a 36-year-old British Chinese artist, thinks that cultural differences, such as the inability “to say no”, are often misconstrued by westerners as agreeableness, or even misinterpreted by western men as a sign of romantic interest.